Film and Video Professional Production LED Lighting Global Market Forecast & Analysis 2022-2032
Film and Video Professional Production LED Lighting Global Market Forecast & Analysis 2022-2032
Abstract
According to the market forecast report, the global consumption of LED professional lighting lamps/fixtures reached $394.1 million in 2022, up from $331.2 million in 2021. During the forecast period, the value of the LED-equipped lighting is forecast to increase to $566 million in the year 2032. Market forecast data in the study report refers to consumption (use) for a particular calendar year; therefore, this data is not cumulative data.
According to the study, LED-based lighting is forecast to be the light source of the next generation in the professional production lighting sector studied in this market research project. Current LED technology already competes favorably with Hydrargyrum medium-arc iodide (HMI), fluorescent and tungsten sources and is powerful enough for the new crossover videographers.
LED lighting is increasingly used in broadcast/TV and movie studios worldwide since LED solutions are a cool running (temperature), energy efficient, light source with an adequate quality of light giving increasingly accepted color rendition and “natural” skin tones. This LED technology is not just limited to large panels of light, but is also available in small, portable, battery-operated units that could be attached to video cameras that are currently available.
New LED-based professional production lights are designed to meet the needs of demanding videographers. LED technology is a strong competitor to other light source technologies, due to its reliability, light quality, durability (rugged) and rapid on/off features (and several other benefits) of LED lighting in professional production applications.
Some examples of video/motion professionals that specify and use LED lighting include: steady-cam operators; Cinematographers; Operators, television, video, and motion picture camera; News camera operators; Motion picture camera operators; Electronic newsgathering operators; Video camera operators; Film and video editors; Camera operators, television, video, and motion picture; Video editors; ENG operators; Studio camera operators, others.
Broadcast studio camera operators work in a broadcast studio and usually videotape/ digital recording their subjects from a fixed position. News camera operators, also called electronic news gathering (ENG) operators, work as part of a reporting team, following newsworthy events as they unfold. To capture live events, they must anticipate the action and act quickly. Television, video, and motion picture camera operators usually acquire their skills through formal postsecondary training at film schools, colleges, universities, or photographic institutes; therefore, LED lighting manufacturers should consider these institutions in the marketing efforts.
The sales and distribution of LED-based professional production lights are typically aimed at:
• Rental Companies
• Lighting Designers
• Lighting Engineers and Specifiers
• Content Production Companies
• Venue/locations (Stadiums, Arenas, Other)
In this global market forecast study report of LED-based professional production lights used in the television/broadcast, videography, and motion picture/film industry sectors, nearly 80 companies, which compete in this sector, are profiled.
LED professional production lighting, which is used for General Lighting purposes, but with primary concern to accommodate the parameters of High Definition (HD) or other related production concerns for broadcast/TV, motion pictures or videography illumination, is covered in this market forecast. The major market potential for these general lighting/production lights is in sport arenas and stadiums that prefer lighting, which are compliant with slow-motion and/or high-definition television standards.
The broadcast/television, motion pictures and professional videography industry sectors employ professional camera operators in the United States and worldwide. Independent television stations, local affiliate stations of television networks or broadcast groups, large cable and television networks, or smaller, independent production companies, employ camera operators. There also are a large number of self-employed camera operators and film editors. Some self-employed camera operators, contract with television networks, documentary or independent filmmakers, advertising agencies/commercials, or trade show or convention sponsors to work on individual projects for a set fee, often at a daily rate.
Larger square or rectangle (shape) LED lights, which also include linear or tube led in consumption value last year in 2022 with nearly 50 percent in relative market share versus the other LED light categories. The average selling prices (ASPs) for smaller devices are significantly less than the larger fixtures.
In terms of volume (number of units), the smaller units currently hold the market share lead; however, because of their relatively low average selling price (ASP) compared to the larger-sized units, they have a lesser market share in terms of value.
The worldwide value of LED-based production lighting in the Television/Broadcast segment was $234.8 million in 2022, compared to $112.5 million in the Motion Picture category and $46.8 million in the Videography industry segment.
TV/Broadcast stations worldwide continue to retrofit their studios with LED-based production lights, to improve the picture quality with the new HDTV-based requirements. Also, other benefits of LED lighting versus the incumbent lighting, includes consumption of less electrical power and quiet operation (no fan required), as well as ‘flicker-free” operation. Also, LEDs not only use less energy, less air conditioning is required in the studio, since heat generated by LED lights is negligible.
LED production lights in the motion picture/film category is driven by requirements for lighting effects and set lighting, mainly because of its flexibility. A single light source can generate a great variety of colors. Additionally, continuous cost/performance improvements driven by technological advancements are driving the LED lighting fixture market from a niche-only solution to a general use solution.
Content
Table of Contents
1. Executive Summary
1.1 Market Forecast Overview
1.2 Unpackaged and Packaged LEDs – Overview
1.3 LEDs – Technology Overview
1.4 DMX512 Controllers
1.4.1 DMX512 Hardware
1.4.2 DMX512 Software
2. Market Forecast & Analysis, By Fixture Size and Shape
2.1 Overview
2.2 Square/Rectangle (<12x12-inch) Lighting Fixtures
2.3 Circular/Ring/Fresnel (less than 12-inch Outer Diameter)
2.4 Square/Rectangle (12 x 12-inch and Larger)
2.5 Circular/Ring/Fresnel (12-inch Outer Diameter or Larger)
3. Market Forecast & Analysis, by Application
3.1 Overview
Global
America
EMEA
APAC
3.2 Television/Broadcast
Global Market Forecast – Television/Broadcast
America Region – Television/Broadcast
Europe, Middle East, Africa (EMEA) – Television/Broadcast
Asia Pacific Region (APAC) – Television/Broadcast
3.3 Motion Picture
Global Market Forecast – Motion Picture
America Region – Market Forecast – Motion Picture
EMEA Region – Market Forecast – Motion Picture
APAC Region – Market Forecast – Motion Picture
3.4 Videography
Global Market Forecast – Videography
America Region – Market Forecast – Videography
EMEA Region – Market Forecast – Videography
APAC Region – Market Forecast – Videography
4. LED-Based Professional Production Lighting Competition
4.1 Profile Briefs
AadynTech (Sturdy Corporation)
ADJ Products, LLC (Elation Lighting; Others)
Aputure Imaging Industries Co. Ltd.
ARRI Group / ARRI Media GmbH
BB&S Lighting
Bescor Video Accessories Ltd.
Boling Photographic Equipment Co., LTD. (Fuzhou)
Came Photographic Equipment Co., Ltd. (Xiamen /CAME-TV)
Chroma-Q
Cinelight (SC CINEART SRL)
DADCO, LLC (SUNRAY)
DataVision (LEDGO)
De Sisti Lighting
DiCon Lighting (Fiilex Brand)
Digital Sputnik
DMLite Co. Ltd. (LUMOS)
Draco Broadcast Inc.
Electronic Theatre Controls, Inc. (ETC)
Ephesus Sports Lighting (Signify and Cooper Lighting Solutions)
Fluotec S.A. de C.V.
Fotodiox Inc.
FoxFury, LLC
F&V Lighting USA (Fuzhou F&V Photographic Equipment Co., Ltd.)
Generalink Lighting Equipment Co.,Ltd (Zhengzhou) - G&L
GODOX Photo Equipment Co. Ltd
Goodteck Lighting Co. Ltd. (Shenzhen)
Gradus Group LLC (Genaray Brand; Luxli Brand)
Ianiro Lighting (Acebil Brand)
ikan Corporation
Interfit Photographic Lighting, Ltd.
Kino Flo Lighting Systems
LEDGO Technology Limited
LedsFILM (LedsMASTER)
Light & Motion
Lume Cube
LUPO SRL
Mole Richardson
Musco Sports Lighting, LLC.
Music & Lights S.r.L. (ProLights)
Nanguang Photo & Video Systems Co., Ltd (Guangdong)
Neewer Inc. (Shenzhen Xing Ying Da Industry Co)
Nila, Incorporated
OSRAM GmbH.; OSRAM SYLVANIA
Photoflex®
PrimeTime Lighting Systems
PR Lighting Ltd.
ROBE Lighting s.r.o.
Rosco Laboratories
Rotolight Inc.
Sokani
Sony Corporation
Spotlight Srl
Stellar Lighting Systems
Supershow Light Co.,Ltd.
Taiying Video Equipment Co., Ltd. (Zhengzhou) - T&Y
Tiffen/Lowel
Tolifo (Dongguan) Photographic Equipment Co., Ltd
Uplight Stage Equipment (GZ) Co., Ltd
Ushio America, Inc. / Zylight LLC
Vari-Lite (Signify Holding; Strand Lighting; Zero 88)
Videndum plc (Litepanels; Quasar Science)
Vibesta B.V.
Visio Light Inc.
Weijia Photoelectric Tech., Co. (Guangzhou)
Westcott (F.J. Westcott Co.)
Yuyao Lishuai Film & Television Equipment Co., Ltd
Zabolight
4.2 Competitor Market Share Estimates (Global) – Selected Market Leaders (2022)
5. ElectroniCast Market Research Methodology
6. Definitions - Acronyms, Abbreviations, and General Terms
6.1 Acronyms, Abbreviations, and General Terms
6.2 Lighting Standards and Protocols
7. ElectroniCast Market Forecast Data Base Explanation
List of Tables
1.1.1 LED Professional Production Lighting Fixtures Global Forecast, By Region ($Million)
1.1.2 LED Professional Production Lighting Fixtures Global Forecast, By Region (Quantity/Units)
1.1.3 Benefits of LED Lighting in Professional Production
1.1.4 LED Professional Production Lighting Fixtures Global Forecast, By Application ($Million)
1.1.5 LED Professional Production Lighting Fixtures Global Forecast, By Application (Quantity/Units)
1.1.6 LED Professional Production Lighting Fixtures Global Forecast, By Size/Shape ($Million)
1.1.7 LED Professional Production Lighting Fixtures Global Forecast, By Size/Shape (Quantity/Units)
1.1.8 LED Professional Production Lighting Fixtures Global Forecast, By Size/Shape (ASP, $ Each)
1.3.1 LED Color Variety – Selected Examples
1.3.2 LED Color Chart
2.1.1 LED Professional Production Lighting Forecast - America, By Size/Shape (Value Basis, $Million)
2.1.2 LED Professional Production Lighting Forecast - America, By Size/Shape (Quantity/Units)
2.1.3 LED Professional Production Lighting Forecast - America, By Size/Shape (ASP, $ Each)
2.1.4 LED Professional Production Lighting Forecast - USA, By Size/Shape (Value Basis, $Million)
2.1.5 LED Professional Production Lighting Forecast - USA, By Size/Shape (Quantity/Units)
2.1.6 LED Professional Production Lighting Forecast - USA, By Size/Shape (ASP, $ Each)
2.1.7 LED Professional Production Lighting Forecast – Rest of America, By Size/Shape ($Million)
2.1.8 LED Professional Production Lighting Forecast – Rest of America, By Size/Shape (Quantity/Units)
2.1.9 LED Professional Production Lighting Forecast – Rest of America, By Size/Shape (ASP, $ Each)
2.1.10 LED Professional Production Lighting Forecast - EMEA, By Size/Shape (Value Basis, $Million)
2.1.11 LED Professional Production Lighting Forecast - EMEA, By Size/Shape (Quantity/Units)
2.1.12 LED Professional Production Lighting Forecast - EMEA, By Size/Shape (ASP, $ Each)
2.1.13 List of Countries in the Asia-Pacific Region
2.1.14 Selected APAC Countries - Real GDP Growth (%)
2.1.15 LED Professional Production Lighting Forecast - APAC, By Size/Shape (Value Basis, $Million)
2.1.16 LED Professional Production Lighting Forecast - APAC, By Size/Shape (Quantity/Units)
2.1.17 LED Professional Production Lighting Forecast - APAC, By Size/Shape (ASP, $ Each)
3.1.1 List of LED Lighting Gear Installed in Studio
3.2.1 Global Forecast of LED Fixtures Used in TV/Broadcast, By Size/Shape ($Million)
3.2.2 Global Forecast of LED Fixtures Used in TV/Broadcast, By Size/Shape (Quantity/Units)
3.2.3 Global Forecast of LED Fixtures Used in TV/Broadcast, By Size/Shape (ASP, $ Each)
3.2.4 America Forecast of LED Fixtures Used in TV/Broadcast, By Size/Shape ($Million)
3.2.5 America Forecast of LED Fixtures Used in TV/Broadcast, By Size/Shape (Quantity/Units)
3.2.6 America Forecast of LED Fixtures Used in TV/Broadcast, By Size/Shape (ASP, $ Each)
3.2.7 EMEA Forecast of LED Fixtures Used in TV/Broadcast, By Size/Shape ($Million)
3.2.8 EMEA Forecast of LED Fixtures Used in TV/Broadcast, By Size/Shape (Quantity/Units)
3.2.9 EMEA Forecast of LED Fixtures Used in TV/Broadcast, By Size/Shape (ASP, $ Each)
3.2.10 APAC Forecast of LED Fixtures Used in TV/Broadcast, By Size/Shape ($Million)
3.2.11 APAC Forecast of LED Fixtures Used in TV/Broadcast, By Size/Shape (Quantity/Units)
3.2.12 APAC Forecast of LED Fixtures Used in TV/Broadcast, By Size/Shape (ASP, $ Each)
3.3.1 Global Forecast of LED Fixtures Used in Motion Pictures, By Size/Shape ($Million)
3.3.2 Global Forecast of LED Fixtures Used in Motion Pictures, By Size/Shape (Quantity/Units)
3.3.3 Global Forecast of LED Fixtures Used in Motion Pictures, By Size/Shape (ASP, $ Each)
3.3.4 America Forecast of LED Fixtures Used in Motion Pictures, By Size/Shape ($Million)
3.3.5 America Forecast of LED Fixtures Used in Motion Pictures, By Size/Shape (Quantity/Units)
3.3.6 America Forecast of LED Fixtures Used in Motion Pictures, By Size/Shape (ASP, $ Each)
3.3.7 EMEA Forecast of LED Fixtures Used in Motion Pictures, By Size/Shape ($Million)
3.3.8 EMEA Forecast of LED Fixtures Used in Motion Pictures, By Size/Shape (Quantity/Units)
3.3.9 EMEA Forecast of LED Fixtures Used in Motion Pictures, By Size/Shape (ASP, $ Each)
3.3.10 APAC Forecast of LED Fixtures Used in Motion Pictures, By Size/Shape ($Million)
3.3.11 APAC Forecast of LED Fixtures Used in Motion Pictures, By Size/Shape (Quantity/Units)
3.3.12 APAC Forecast of LED Fixtures Used in Motion Pictures, By Size/Shape (ASP, $ Each)
3.4.1 Global Forecast of LED Fixtures Used in Videography, By Size/Shape ($Million)
3.4.2 Global Forecast of LED Fixtures Used in Videography, By Size/Shape (Quantity/Units)
3.4.3 Global Forecast of LED Fixtures Used in Videography, By Size/Shape (ASP, $ Each)
3.4.4 America Forecast of LED Fixtures Used in Videography, By Size/Shape ($Million)
3.4.5 America Forecast of LED Fixtures Used in Videography, By Size/Shape (Quantity/Units)
3.4.6 America Forecast of LED Fixtures Used in Videography, By Size/Shape (ASP, $ Each)
3.4.7 EMEA Forecast of LED Fixtures Used in Videography, By Size/Shape ($Million)
3.4.8 EMEA Forecast of LED Fixtures Used in Videography, By Size/Shape (Quantity/Units)
3.4.9 EMEA Forecast of LED Fixtures Used in Videography, By Size/Shape (ASP, $ Each)
3.4.10 APAC Forecast of LED Fixtures Used in Videography, By Size/Shape ($Million)
3.4.11 APAC Forecast of LED Fixtures Used in Videography, By Size/Shape (Quantity/Units)
3.4.12 APAC Forecast of LED Fixtures Used in Videography, By Size/Shape (ASP, $ Each)
4.2.1 LED Professional Production Light Panel/Fixtures: Competitor Market Share Estimates (2022)
1.1.1 Rugged Portable Handheld / Rectangle LED Fixture
1.1.2 Circular Camera-Mountable LED Fixture
1.1.3 LED Fresnel Light Fixture
1.1.4 LED Panel Light Produces up to 24,000 Field Lumens
1.1.5 19-Inch LED Ring Light Fixture Set
1.2.1 Diagram of a typical LED chip
1.2.2 Diagram of schematic structure of AlGaN-based UV LED Chip
1.2.3 2D LED Structure - wavelength can be specifically influenced
1.2.4 Chip-on-Glass Cross-Sectional Structure
1.2.5 Electrostatic discharge (ESD) - Integrated Protection Devices for LEDs
1.2.6 Electrostatic Discharge Example
1.2.7 Chip-on-Board LED Technology
1.2.8 Chip-Scale Package (CSP) LEDs
1.2.9 High Performance LED
1.2.10 Surface Mounted Device (SMD) LED
1.2.11 Chip-on-Board and Multi-Chip-on-Board (COB/MCOB) LED
1.2.12 Tunable Chip-On-Board LEDs with Highly Efficient Color Mixing
1.2.13 COB Packaged LEDs Provide Natural Light Spectrum
1.2.14 High Efficacy 90 CRI Chip-on-Board LEDs
1.3.1 LED Chromatic Chart
1.3.2 Evolution of Research Emphasis during Technology Life Cycle
1.4.1.1 DMX512 HB-LED Implementation
1.4.1.2 Discrete DMX512 Receiver Block Diagram
1.4.1.3 DMX512 Receiver Block Diagram
1.4.1.4 DMX Dimmer Pack
1.4.1.5 Rack-Mount DMX & RDM Splitter
1.4.1.6 USB - DMX512 Modules
1.4.1.7 DMX-to-Analog Converter
1.4.1.8 DMX Tester
1.4.1.9 Lighting Playback & Integration Processor
1.4.1.10 DIN Rail DMX512 Fail-Over Switch
1.4.2.1 USB-DMX interface - Software Deliverables
1.4.2.2 PC-DMX Controller – Software
1.4.2.3 Lighting Control Software: Control Builder Screen Page View
2.1.1 LED Production Lighting Panel/Fixtures
2.1.2 HDTV Compliant Stadium LED Light
2.1.3 LED Production Lighting Panels/Fixtures Global Forecast, By Size and Shape ($ Million)
2.1.6 LED Production Lighting Panels/Fixtures Global Forecast, By Size and Shape (Quantity/Units)
2.1.7 LED Production Lighting Panels/Fixtures Global Forecast, By Size and Shape (ASP, $ Each)
2.2.1 Square or Rectangle LED Fixtures, Less than 12x12-inch in Size Global Forecast, ($ Million)
2.2.2 Square or Rectangle LED Fixtures, Less than 12x12-inch in Size Global Forecast, (Quantity/Units)
2.2.3 Square or Rectangle LED Fixtures, Less than 12x12-inch in Size Global Forecast, (ASP, $ Each)
2.2.4 Small Rectangle LED Light Fixture
2.2.5 Light with 144 LEDs
2.3.1 Circular/Ring/Fresnel LED Fixtures, Less than 12-inch in Diameter Global Forecast, ($ Million)
2.3.2 Circular/Ring/Fresnel LED Fixtures, Less than 12-inch in Diameter Global Forecast, (Qty/Units)
2.3.3 Circular/Ring/Fresnel LED Fixtures, Less than 12-inch in Diameter Global Forecast, (ASP, $ Each)
2.3.4 8.3-inch Diameter LED Circular Spot
2.4.1 Square or Rectangle LED Fixtures, 12x12-inch in Size or Larger Global Forecast, ($ Million)
2.4.2 Square or Rectangle LED Fixtures, 12x12-inch in Size or Larger Global Forecast, (Quantity/Units)
2.4.3 Square or Rectangle LED Fixtures, 12x12-inch in Size or Larger Global Forecast, (ASP, $ Each)
2.4.4 14x14-inch LED Light Panel
2.5.1 Circular/Ring/Fresnel LED Fixtures, 12-inch in Diameter or Larger Global Forecast, ($ Million)
2.5.2 Circular/Ring/Fresnel LED Fixtures, 12-inch in Diameter or Larger Global Forecast, (Qty/Units)
2.5.3 Circular/Ring/Fresnel LED Fixtures, 12-inch in Diameter or Larger Global Forecast, (ASP, $ Each)
2.5.4 LED Circular Fresnel Spot Fixtures (12-inch and 6-inch)
3.1.1 LED TV-Studio Lighting in the United States
3.1.2 Refitting a TV News Studio with LEDs
3.1.3 LED TV-Studio Lighting in the United Kingdom
3.1.4 LED-based Wash-Type Light
3.1.5 New TV Broadcast Studio in Austria
3.1.6 New TV Broadcast Studio in Canada
3.1.7 Selected Film Set Equipment
3.1.8 LED Professional Production Lighting Fixtures Global Forecast, By Application ($ Million)
3.1.9 LED Professional Production Lighting Fixtures Global Forecast, By Application (Quantity/Units)
3.1.10 LED Professional Production Lighting Fixtures America Forecast, By Application ($ Million)
3.1.11 LED Professional Production Lighting Fixtures America Forecast, By Application (Quantity/Units)
3.1.12 LED Professional Production Lighting Fixtures EMEA Forecast, By Application ($ Million)
3.1.13 LED Professional Production Lighting Fixtures EMEA Forecast, By Application (Quantity/Units)
3.1.14 LED Professional Production Lighting Fixtures APAC Forecast, By Application ($ Million)
3.1.15 LED Professional Production Lighting Fixtures APAC Forecast, By Application (Quantity/Units)
3.2.1 Digital Broadcast Standards – Regional
3.3.1 Utilizing LED lights on a Film Set
3.4.1 HMI-Based Professional Light
4.1.1 LED Production Light/Fixture
4.1.2 LED Panel Light
4.1.3 LED Fresnel Light
4.1.4 COB and Point-Source Lighting Technology
4.1.5 LED Light Panel
4.1.6 Directional LED Light Fixture
4.1.7 LED Light Panel with Remote Phosphor Panel
4.1.8 LED-Based Light
4.1.9 LED Panel Light
4.1.10 Fresnel Focusable LED Bi-Color
4.1.11 LED-Based Daylight White Fixture for Film and TV Lighting
4.1.12 LED Panel
4.1.13 Fixture Assembly with LED PAR Lamps
4.1.14 4-Foot LED Tubes/Ladder Fixture
4.1.15 Daylight LED Studio Light
4.1.16 Fresnel Lens Spotlight Using a LED array
4.1.17 Round Light/Fixtures
4.1.18 LED-Based Light Source
4.1.19 LED Lighting as a Replacement of HMI Lights
4.1.20 LED Lighting/Fixture
4.1.21 Fresnel Lens LED Light
4.1.22 High Definition (HD) Studio LED Lighting
4.1.23 LED-Based Broadcast TV Studio Lighting
4.1.24 LED Panel Light
4.1.25 LED-Based Spotlight
4.1.26 LED Area-Lighting
4.1.27 LED-Based Lighting Products (Sample)
4.1.28 High-Intensity LED Fresnel Light for Film & Television
4.1.29 Professional Bicolor Dimmable Studio Photo/Video LED Light
4.1.30 Rugged LED Light
4.1.31 Daylight Studio Panel Light
4.1.32 10" Round Bi-Color LED Light
4.1.33 Rectangular LED Panel Size: 11.5 x 9.6 – inches (29.2 x 24.4 cm)
4.1.34 Powerful Compact and Waterproof LED Light
4.1.35 Studio Light with 500 LEDs
4.1.36 LED-based 1200 Bi-Color Panel Lighting
4.1.37 LED-based Ring Lighting
4.1.38 DMX LED Light Fixture
4.1 39 Ultra-Soft Light (Light Panel)
4.1.40 Bi-color Ultra Soft LED Studio Light
4.1.41 Ultra-Compact Professional LED Light
4.1.42 Small 1500 Lumen Light
4.1.43 Daylight Balanced Fresnel Spotlight
4.1.44 LED-Based 4.5” (114mm) Fresnel
4.1.45 LED-Based Panel Light
4.1.46 Compact 2x1 LED Soft Light
4.1.47 LED Panel (900 LED “Bulbs”)
4.1.48 LED Panel with 660 Pieces (330 White+330 Yellow)
4.1.49 LED-Based Production Lamp/Fixture (Front and Rear view)
4.1.50 LED-Based Set Light
4.1.51 Slow Motion & HDTV Standards Intense Light
4.1.52 100-Watt Single LED Light Unit
4.1.53 LED Fresnel
4.1 54 LED Light - LED Studio
4.1.55 LED Light - LED Studio
4.1.56 LED Light - LED Studio
4.1.57 LED-Based Photography/Video Lights
4.1.58 900 LED Professional Photography Studio Video Light Panel
4.1.59 Interchangeable Lens Camera LED Ring Light
4.1.60 LED Ring Light
4.1.61 Portable LED-Based Light
4.1.62 Product Fulfillment Line
4.1.63 Light Panel - LED Studio Light (Line Drawing)
4.1.64 Light Panel - LED Studio Light
4.1.65 7-inch LED Fresnel Light
4.1.66 LED-Based Panel Light
4.1.67 Studio Panel LED Luminaire
4.1.68 LED-Based Fresnel Light and Panel Fixture
4.1.69 LED-Based Fresnel Light Fixtures
4.1.70 LED-Based Fresnel Light Fixtures
4.1.71 Studio X LED Fresnel (14-Inch Optics)
4.1.72 LED Soft Panel (24x12-inch Soft Panel)
4.1.73 Rainbow LED Tube Lights
4.1.74 Professional LED Light designed for Videographers and Photographers
4.1.75 Flexible LED Light Mat
4.1.76 Flexible LED Light Mat
4.1.77 LED-Based Production Lamp/Fixture
4.1.78 LED-Based Production Lamp/Fixture (Front and Rear view)
5.1 ElectroniCast Market Research & Forecasting Methodology
According to the market forecast report, the global consumption of LED professional lighting lamps/fixtures reached $394.1 million in 2022, up from $331.2 million in 2021. During the forecast period, the value of the LED-equipped lighting is forecast to increase to $566 million in the year 2032. Market forecast data in the study report refers to consumption (use) for a particular calendar year; therefore, this data is not cumulative data.
According to the study, LED-based lighting is forecast to be the light source of the next generation in the professional production lighting sector studied in this market research project. Current LED technology already competes favorably with Hydrargyrum medium-arc iodide (HMI), fluorescent and tungsten sources and is powerful enough for the new crossover videographers.
LED lighting is increasingly used in broadcast/TV and movie studios worldwide since LED solutions are a cool running (temperature), energy efficient, light source with an adequate quality of light giving increasingly accepted color rendition and “natural” skin tones. This LED technology is not just limited to large panels of light, but is also available in small, portable, battery-operated units that could be attached to video cameras that are currently available.
New LED-based professional production lights are designed to meet the needs of demanding videographers. LED technology is a strong competitor to other light source technologies, due to its reliability, light quality, durability (rugged) and rapid on/off features (and several other benefits) of LED lighting in professional production applications.
Some examples of video/motion professionals that specify and use LED lighting include: steady-cam operators; Cinematographers; Operators, television, video, and motion picture camera; News camera operators; Motion picture camera operators; Electronic newsgathering operators; Video camera operators; Film and video editors; Camera operators, television, video, and motion picture; Video editors; ENG operators; Studio camera operators, others.
Broadcast studio camera operators work in a broadcast studio and usually videotape/ digital recording their subjects from a fixed position. News camera operators, also called electronic news gathering (ENG) operators, work as part of a reporting team, following newsworthy events as they unfold. To capture live events, they must anticipate the action and act quickly. Television, video, and motion picture camera operators usually acquire their skills through formal postsecondary training at film schools, colleges, universities, or photographic institutes; therefore, LED lighting manufacturers should consider these institutions in the marketing efforts.
The sales and distribution of LED-based professional production lights are typically aimed at:
• Rental Companies
• Lighting Designers
• Lighting Engineers and Specifiers
• Content Production Companies
• Venue/locations (Stadiums, Arenas, Other)
In this global market forecast study report of LED-based professional production lights used in the television/broadcast, videography, and motion picture/film industry sectors, nearly 80 companies, which compete in this sector, are profiled.
LED professional production lighting, which is used for General Lighting purposes, but with primary concern to accommodate the parameters of High Definition (HD) or other related production concerns for broadcast/TV, motion pictures or videography illumination, is covered in this market forecast. The major market potential for these general lighting/production lights is in sport arenas and stadiums that prefer lighting, which are compliant with slow-motion and/or high-definition television standards.
The broadcast/television, motion pictures and professional videography industry sectors employ professional camera operators in the United States and worldwide. Independent television stations, local affiliate stations of television networks or broadcast groups, large cable and television networks, or smaller, independent production companies, employ camera operators. There also are a large number of self-employed camera operators and film editors. Some self-employed camera operators, contract with television networks, documentary or independent filmmakers, advertising agencies/commercials, or trade show or convention sponsors to work on individual projects for a set fee, often at a daily rate.
Larger square or rectangle (shape) LED lights, which also include linear or tube led in consumption value last year in 2022 with nearly 50 percent in relative market share versus the other LED light categories. The average selling prices (ASPs) for smaller devices are significantly less than the larger fixtures.
In terms of volume (number of units), the smaller units currently hold the market share lead; however, because of their relatively low average selling price (ASP) compared to the larger-sized units, they have a lesser market share in terms of value.
The worldwide value of LED-based production lighting in the Television/Broadcast segment was $234.8 million in 2022, compared to $112.5 million in the Motion Picture category and $46.8 million in the Videography industry segment.
TV/Broadcast stations worldwide continue to retrofit their studios with LED-based production lights, to improve the picture quality with the new HDTV-based requirements. Also, other benefits of LED lighting versus the incumbent lighting, includes consumption of less electrical power and quiet operation (no fan required), as well as ‘flicker-free” operation. Also, LEDs not only use less energy, less air conditioning is required in the studio, since heat generated by LED lights is negligible.
LED production lights in the motion picture/film category is driven by requirements for lighting effects and set lighting, mainly because of its flexibility. A single light source can generate a great variety of colors. Additionally, continuous cost/performance improvements driven by technological advancements are driving the LED lighting fixture market from a niche-only solution to a general use solution.
Table of Contents
1. Executive Summary
1.1 Market Forecast Overview
1.2 Unpackaged and Packaged LEDs – Overview
1.3 LEDs – Technology Overview
1.4 DMX512 Controllers
1.4.1 DMX512 Hardware
1.4.2 DMX512 Software
2. Market Forecast & Analysis, By Fixture Size and Shape
2.1 Overview
2.2 Square/Rectangle (<12x12-inch) Lighting Fixtures
2.3 Circular/Ring/Fresnel (less than 12-inch Outer Diameter)
2.4 Square/Rectangle (12 x 12-inch and Larger)
2.5 Circular/Ring/Fresnel (12-inch Outer Diameter or Larger)
3. Market Forecast & Analysis, by Application
3.1 Overview
Global
America
EMEA
APAC
3.2 Television/Broadcast
Global Market Forecast – Television/Broadcast
America Region – Television/Broadcast
Europe, Middle East, Africa (EMEA) – Television/Broadcast
Asia Pacific Region (APAC) – Television/Broadcast
3.3 Motion Picture
Global Market Forecast – Motion Picture
America Region – Market Forecast – Motion Picture
EMEA Region – Market Forecast – Motion Picture
APAC Region – Market Forecast – Motion Picture
3.4 Videography
Global Market Forecast – Videography
America Region – Market Forecast – Videography
EMEA Region – Market Forecast – Videography
APAC Region – Market Forecast – Videography
4. LED-Based Professional Production Lighting Competition
4.1 Profile Briefs
AadynTech (Sturdy Corporation)
ADJ Products, LLC (Elation Lighting; Others)
Aputure Imaging Industries Co. Ltd.
ARRI Group / ARRI Media GmbH
BB&S Lighting
Bescor Video Accessories Ltd.
Boling Photographic Equipment Co., LTD. (Fuzhou)
Came Photographic Equipment Co., Ltd. (Xiamen /CAME-TV)
Chroma-Q
Cinelight (SC CINEART SRL)
DADCO, LLC (SUNRAY)
DataVision (LEDGO)
De Sisti Lighting
DiCon Lighting (Fiilex Brand)
Digital Sputnik
DMLite Co. Ltd. (LUMOS)
Draco Broadcast Inc.
Electronic Theatre Controls, Inc. (ETC)
Ephesus Sports Lighting (Signify and Cooper Lighting Solutions)
Fluotec S.A. de C.V.
Fotodiox Inc.
FoxFury, LLC
F&V Lighting USA (Fuzhou F&V Photographic Equipment Co., Ltd.)
Generalink Lighting Equipment Co.,Ltd (Zhengzhou) - G&L
GODOX Photo Equipment Co. Ltd
Goodteck Lighting Co. Ltd. (Shenzhen)
Gradus Group LLC (Genaray Brand; Luxli Brand)
Ianiro Lighting (Acebil Brand)
ikan Corporation
Interfit Photographic Lighting, Ltd.
Kino Flo Lighting Systems
LEDGO Technology Limited
LedsFILM (LedsMASTER)
Light & Motion
Lume Cube
LUPO SRL
Mole Richardson
Musco Sports Lighting, LLC.
Music & Lights S.r.L. (ProLights)
Nanguang Photo & Video Systems Co., Ltd (Guangdong)
Neewer Inc. (Shenzhen Xing Ying Da Industry Co)
Nila, Incorporated
OSRAM GmbH.; OSRAM SYLVANIA
Photoflex®
PrimeTime Lighting Systems
PR Lighting Ltd.
ROBE Lighting s.r.o.
Rosco Laboratories
Rotolight Inc.
Sokani
Sony Corporation
Spotlight Srl
Stellar Lighting Systems
Supershow Light Co.,Ltd.
Taiying Video Equipment Co., Ltd. (Zhengzhou) - T&Y
Tiffen/Lowel
Tolifo (Dongguan) Photographic Equipment Co., Ltd
Uplight Stage Equipment (GZ) Co., Ltd
Ushio America, Inc. / Zylight LLC
Vari-Lite (Signify Holding; Strand Lighting; Zero 88)
Videndum plc (Litepanels; Quasar Science)
Vibesta B.V.
Visio Light Inc.
Weijia Photoelectric Tech., Co. (Guangzhou)
Westcott (F.J. Westcott Co.)
Yuyao Lishuai Film & Television Equipment Co., Ltd
Zabolight
4.2 Competitor Market Share Estimates (Global) – Selected Market Leaders (2022)
5. ElectroniCast Market Research Methodology
6. Definitions - Acronyms, Abbreviations, and General Terms
6.1 Acronyms, Abbreviations, and General Terms
6.2 Lighting Standards and Protocols
7. ElectroniCast Market Forecast Data Base Explanation
List of Tables
1.1.1 LED Professional Production Lighting Fixtures Global Forecast, By Region ($Million)
1.1.2 LED Professional Production Lighting Fixtures Global Forecast, By Region (Quantity/Units)
1.1.3 Benefits of LED Lighting in Professional Production
1.1.4 LED Professional Production Lighting Fixtures Global Forecast, By Application ($Million)
1.1.5 LED Professional Production Lighting Fixtures Global Forecast, By Application (Quantity/Units)
1.1.6 LED Professional Production Lighting Fixtures Global Forecast, By Size/Shape ($Million)
1.1.7 LED Professional Production Lighting Fixtures Global Forecast, By Size/Shape (Quantity/Units)
1.1.8 LED Professional Production Lighting Fixtures Global Forecast, By Size/Shape (ASP, $ Each)
1.3.1 LED Color Variety – Selected Examples
1.3.2 LED Color Chart
2.1.1 LED Professional Production Lighting Forecast - America, By Size/Shape (Value Basis, $Million)
2.1.2 LED Professional Production Lighting Forecast - America, By Size/Shape (Quantity/Units)
2.1.3 LED Professional Production Lighting Forecast - America, By Size/Shape (ASP, $ Each)
2.1.4 LED Professional Production Lighting Forecast - USA, By Size/Shape (Value Basis, $Million)
2.1.5 LED Professional Production Lighting Forecast - USA, By Size/Shape (Quantity/Units)
2.1.6 LED Professional Production Lighting Forecast - USA, By Size/Shape (ASP, $ Each)
2.1.7 LED Professional Production Lighting Forecast – Rest of America, By Size/Shape ($Million)
2.1.8 LED Professional Production Lighting Forecast – Rest of America, By Size/Shape (Quantity/Units)
2.1.9 LED Professional Production Lighting Forecast – Rest of America, By Size/Shape (ASP, $ Each)
2.1.10 LED Professional Production Lighting Forecast - EMEA, By Size/Shape (Value Basis, $Million)
2.1.11 LED Professional Production Lighting Forecast - EMEA, By Size/Shape (Quantity/Units)
2.1.12 LED Professional Production Lighting Forecast - EMEA, By Size/Shape (ASP, $ Each)
2.1.13 List of Countries in the Asia-Pacific Region
2.1.14 Selected APAC Countries - Real GDP Growth (%)
2.1.15 LED Professional Production Lighting Forecast - APAC, By Size/Shape (Value Basis, $Million)
2.1.16 LED Professional Production Lighting Forecast - APAC, By Size/Shape (Quantity/Units)
2.1.17 LED Professional Production Lighting Forecast - APAC, By Size/Shape (ASP, $ Each)
3.1.1 List of LED Lighting Gear Installed in Studio
3.2.1 Global Forecast of LED Fixtures Used in TV/Broadcast, By Size/Shape ($Million)
3.2.2 Global Forecast of LED Fixtures Used in TV/Broadcast, By Size/Shape (Quantity/Units)
3.2.3 Global Forecast of LED Fixtures Used in TV/Broadcast, By Size/Shape (ASP, $ Each)
3.2.4 America Forecast of LED Fixtures Used in TV/Broadcast, By Size/Shape ($Million)
3.2.5 America Forecast of LED Fixtures Used in TV/Broadcast, By Size/Shape (Quantity/Units)
3.2.6 America Forecast of LED Fixtures Used in TV/Broadcast, By Size/Shape (ASP, $ Each)
3.2.7 EMEA Forecast of LED Fixtures Used in TV/Broadcast, By Size/Shape ($Million)
3.2.8 EMEA Forecast of LED Fixtures Used in TV/Broadcast, By Size/Shape (Quantity/Units)
3.2.9 EMEA Forecast of LED Fixtures Used in TV/Broadcast, By Size/Shape (ASP, $ Each)
3.2.10 APAC Forecast of LED Fixtures Used in TV/Broadcast, By Size/Shape ($Million)
3.2.11 APAC Forecast of LED Fixtures Used in TV/Broadcast, By Size/Shape (Quantity/Units)
3.2.12 APAC Forecast of LED Fixtures Used in TV/Broadcast, By Size/Shape (ASP, $ Each)
3.3.1 Global Forecast of LED Fixtures Used in Motion Pictures, By Size/Shape ($Million)
3.3.2 Global Forecast of LED Fixtures Used in Motion Pictures, By Size/Shape (Quantity/Units)
3.3.3 Global Forecast of LED Fixtures Used in Motion Pictures, By Size/Shape (ASP, $ Each)
3.3.4 America Forecast of LED Fixtures Used in Motion Pictures, By Size/Shape ($Million)
3.3.5 America Forecast of LED Fixtures Used in Motion Pictures, By Size/Shape (Quantity/Units)
3.3.6 America Forecast of LED Fixtures Used in Motion Pictures, By Size/Shape (ASP, $ Each)
3.3.7 EMEA Forecast of LED Fixtures Used in Motion Pictures, By Size/Shape ($Million)
3.3.8 EMEA Forecast of LED Fixtures Used in Motion Pictures, By Size/Shape (Quantity/Units)
3.3.9 EMEA Forecast of LED Fixtures Used in Motion Pictures, By Size/Shape (ASP, $ Each)
3.3.10 APAC Forecast of LED Fixtures Used in Motion Pictures, By Size/Shape ($Million)
3.3.11 APAC Forecast of LED Fixtures Used in Motion Pictures, By Size/Shape (Quantity/Units)
3.3.12 APAC Forecast of LED Fixtures Used in Motion Pictures, By Size/Shape (ASP, $ Each)
3.4.1 Global Forecast of LED Fixtures Used in Videography, By Size/Shape ($Million)
3.4.2 Global Forecast of LED Fixtures Used in Videography, By Size/Shape (Quantity/Units)
3.4.3 Global Forecast of LED Fixtures Used in Videography, By Size/Shape (ASP, $ Each)
3.4.4 America Forecast of LED Fixtures Used in Videography, By Size/Shape ($Million)
3.4.5 America Forecast of LED Fixtures Used in Videography, By Size/Shape (Quantity/Units)
3.4.6 America Forecast of LED Fixtures Used in Videography, By Size/Shape (ASP, $ Each)
3.4.7 EMEA Forecast of LED Fixtures Used in Videography, By Size/Shape ($Million)
3.4.8 EMEA Forecast of LED Fixtures Used in Videography, By Size/Shape (Quantity/Units)
3.4.9 EMEA Forecast of LED Fixtures Used in Videography, By Size/Shape (ASP, $ Each)
3.4.10 APAC Forecast of LED Fixtures Used in Videography, By Size/Shape ($Million)
3.4.11 APAC Forecast of LED Fixtures Used in Videography, By Size/Shape (Quantity/Units)
3.4.12 APAC Forecast of LED Fixtures Used in Videography, By Size/Shape (ASP, $ Each)
4.2.1 LED Professional Production Light Panel/Fixtures: Competitor Market Share Estimates (2022)
1.1.1 Rugged Portable Handheld / Rectangle LED Fixture
1.1.2 Circular Camera-Mountable LED Fixture
1.1.3 LED Fresnel Light Fixture
1.1.4 LED Panel Light Produces up to 24,000 Field Lumens
1.1.5 19-Inch LED Ring Light Fixture Set
1.2.1 Diagram of a typical LED chip
1.2.2 Diagram of schematic structure of AlGaN-based UV LED Chip
1.2.3 2D LED Structure - wavelength can be specifically influenced
1.2.4 Chip-on-Glass Cross-Sectional Structure
1.2.5 Electrostatic discharge (ESD) - Integrated Protection Devices for LEDs
1.2.6 Electrostatic Discharge Example
1.2.7 Chip-on-Board LED Technology
1.2.8 Chip-Scale Package (CSP) LEDs
1.2.9 High Performance LED
1.2.10 Surface Mounted Device (SMD) LED
1.2.11 Chip-on-Board and Multi-Chip-on-Board (COB/MCOB) LED
1.2.12 Tunable Chip-On-Board LEDs with Highly Efficient Color Mixing
1.2.13 COB Packaged LEDs Provide Natural Light Spectrum
1.2.14 High Efficacy 90 CRI Chip-on-Board LEDs
1.3.1 LED Chromatic Chart
1.3.2 Evolution of Research Emphasis during Technology Life Cycle
1.4.1.1 DMX512 HB-LED Implementation
1.4.1.2 Discrete DMX512 Receiver Block Diagram
1.4.1.3 DMX512 Receiver Block Diagram
1.4.1.4 DMX Dimmer Pack
1.4.1.5 Rack-Mount DMX & RDM Splitter
1.4.1.6 USB - DMX512 Modules
1.4.1.7 DMX-to-Analog Converter
1.4.1.8 DMX Tester
1.4.1.9 Lighting Playback & Integration Processor
1.4.1.10 DIN Rail DMX512 Fail-Over Switch
1.4.2.1 USB-DMX interface - Software Deliverables
1.4.2.2 PC-DMX Controller – Software
1.4.2.3 Lighting Control Software: Control Builder Screen Page View
2.1.1 LED Production Lighting Panel/Fixtures
2.1.2 HDTV Compliant Stadium LED Light
2.1.3 LED Production Lighting Panels/Fixtures Global Forecast, By Size and Shape ($ Million)
2.1.6 LED Production Lighting Panels/Fixtures Global Forecast, By Size and Shape (Quantity/Units)
2.1.7 LED Production Lighting Panels/Fixtures Global Forecast, By Size and Shape (ASP, $ Each)
2.2.1 Square or Rectangle LED Fixtures, Less than 12x12-inch in Size Global Forecast, ($ Million)
2.2.2 Square or Rectangle LED Fixtures, Less than 12x12-inch in Size Global Forecast, (Quantity/Units)
2.2.3 Square or Rectangle LED Fixtures, Less than 12x12-inch in Size Global Forecast, (ASP, $ Each)
2.2.4 Small Rectangle LED Light Fixture
2.2.5 Light with 144 LEDs
2.3.1 Circular/Ring/Fresnel LED Fixtures, Less than 12-inch in Diameter Global Forecast, ($ Million)
2.3.2 Circular/Ring/Fresnel LED Fixtures, Less than 12-inch in Diameter Global Forecast, (Qty/Units)
2.3.3 Circular/Ring/Fresnel LED Fixtures, Less than 12-inch in Diameter Global Forecast, (ASP, $ Each)
2.3.4 8.3-inch Diameter LED Circular Spot
2.4.1 Square or Rectangle LED Fixtures, 12x12-inch in Size or Larger Global Forecast, ($ Million)
2.4.2 Square or Rectangle LED Fixtures, 12x12-inch in Size or Larger Global Forecast, (Quantity/Units)
2.4.3 Square or Rectangle LED Fixtures, 12x12-inch in Size or Larger Global Forecast, (ASP, $ Each)
2.4.4 14x14-inch LED Light Panel
2.5.1 Circular/Ring/Fresnel LED Fixtures, 12-inch in Diameter or Larger Global Forecast, ($ Million)
2.5.2 Circular/Ring/Fresnel LED Fixtures, 12-inch in Diameter or Larger Global Forecast, (Qty/Units)
2.5.3 Circular/Ring/Fresnel LED Fixtures, 12-inch in Diameter or Larger Global Forecast, (ASP, $ Each)
2.5.4 LED Circular Fresnel Spot Fixtures (12-inch and 6-inch)
3.1.1 LED TV-Studio Lighting in the United States
3.1.2 Refitting a TV News Studio with LEDs
3.1.3 LED TV-Studio Lighting in the United Kingdom
3.1.4 LED-based Wash-Type Light
3.1.5 New TV Broadcast Studio in Austria
3.1.6 New TV Broadcast Studio in Canada
3.1.7 Selected Film Set Equipment
3.1.8 LED Professional Production Lighting Fixtures Global Forecast, By Application ($ Million)
3.1.9 LED Professional Production Lighting Fixtures Global Forecast, By Application (Quantity/Units)
3.1.10 LED Professional Production Lighting Fixtures America Forecast, By Application ($ Million)
3.1.11 LED Professional Production Lighting Fixtures America Forecast, By Application (Quantity/Units)
3.1.12 LED Professional Production Lighting Fixtures EMEA Forecast, By Application ($ Million)
3.1.13 LED Professional Production Lighting Fixtures EMEA Forecast, By Application (Quantity/Units)
3.1.14 LED Professional Production Lighting Fixtures APAC Forecast, By Application ($ Million)
3.1.15 LED Professional Production Lighting Fixtures APAC Forecast, By Application (Quantity/Units)
3.2.1 Digital Broadcast Standards – Regional
3.3.1 Utilizing LED lights on a Film Set
3.4.1 HMI-Based Professional Light
4.1.1 LED Production Light/Fixture
4.1.2 LED Panel Light
4.1.3 LED Fresnel Light
4.1.4 COB and Point-Source Lighting Technology
4.1.5 LED Light Panel
4.1.6 Directional LED Light Fixture
4.1.7 LED Light Panel with Remote Phosphor Panel
4.1.8 LED-Based Light
4.1.9 LED Panel Light
4.1.10 Fresnel Focusable LED Bi-Color
4.1.11 LED-Based Daylight White Fixture for Film and TV Lighting
4.1.12 LED Panel
4.1.13 Fixture Assembly with LED PAR Lamps
4.1.14 4-Foot LED Tubes/Ladder Fixture
4.1.15 Daylight LED Studio Light
4.1.16 Fresnel Lens Spotlight Using a LED array
4.1.17 Round Light/Fixtures
4.1.18 LED-Based Light Source
4.1.19 LED Lighting as a Replacement of HMI Lights
4.1.20 LED Lighting/Fixture
4.1.21 Fresnel Lens LED Light
4.1.22 High Definition (HD) Studio LED Lighting
4.1.23 LED-Based Broadcast TV Studio Lighting
4.1.24 LED Panel Light
4.1.25 LED-Based Spotlight
4.1.26 LED Area-Lighting
4.1.27 LED-Based Lighting Products (Sample)
4.1.28 High-Intensity LED Fresnel Light for Film & Television
4.1.29 Professional Bicolor Dimmable Studio Photo/Video LED Light
4.1.30 Rugged LED Light
4.1.31 Daylight Studio Panel Light
4.1.32 10" Round Bi-Color LED Light
4.1.33 Rectangular LED Panel Size: 11.5 x 9.6 – inches (29.2 x 24.4 cm)
4.1.34 Powerful Compact and Waterproof LED Light
4.1.35 Studio Light with 500 LEDs
4.1.36 LED-based 1200 Bi-Color Panel Lighting
4.1.37 LED-based Ring Lighting
4.1.38 DMX LED Light Fixture
4.1 39 Ultra-Soft Light (Light Panel)
4.1.40 Bi-color Ultra Soft LED Studio Light
4.1.41 Ultra-Compact Professional LED Light
4.1.42 Small 1500 Lumen Light
4.1.43 Daylight Balanced Fresnel Spotlight
4.1.44 LED-Based 4.5” (114mm) Fresnel
4.1.45 LED-Based Panel Light
4.1.46 Compact 2x1 LED Soft Light
4.1.47 LED Panel (900 LED “Bulbs”)
4.1.48 LED Panel with 660 Pieces (330 White+330 Yellow)
4.1.49 LED-Based Production Lamp/Fixture (Front and Rear view)
4.1.50 LED-Based Set Light
4.1.51 Slow Motion & HDTV Standards Intense Light
4.1.52 100-Watt Single LED Light Unit
4.1.53 LED Fresnel
4.1 54 LED Light - LED Studio
4.1.55 LED Light - LED Studio
4.1.56 LED Light - LED Studio
4.1.57 LED-Based Photography/Video Lights
4.1.58 900 LED Professional Photography Studio Video Light Panel
4.1.59 Interchangeable Lens Camera LED Ring Light
4.1.60 LED Ring Light
4.1.61 Portable LED-Based Light
4.1.62 Product Fulfillment Line
4.1.63 Light Panel - LED Studio Light (Line Drawing)
4.1.64 Light Panel - LED Studio Light
4.1.65 7-inch LED Fresnel Light
4.1.66 LED-Based Panel Light
4.1.67 Studio Panel LED Luminaire
4.1.68 LED-Based Fresnel Light and Panel Fixture
4.1.69 LED-Based Fresnel Light Fixtures
4.1.70 LED-Based Fresnel Light Fixtures
4.1.71 Studio X LED Fresnel (14-Inch Optics)
4.1.72 LED Soft Panel (24x12-inch Soft Panel)
4.1.73 Rainbow LED Tube Lights
4.1.74 Professional LED Light designed for Videographers and Photographers
4.1.75 Flexible LED Light Mat
4.1.76 Flexible LED Light Mat
4.1.77 LED-Based Production Lamp/Fixture
4.1.78 LED-Based Production Lamp/Fixture (Front and Rear view)
5.1 ElectroniCast Market Research & Forecasting Methodology
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